Showing posts with label new adult. Show all posts
Showing posts with label new adult. Show all posts

Friday, January 8, 2016

The 'S' word

I have a problem. Or I at least used to think I had a problem. Now, thanks to my readership, I see it as more of a blessing. I’m not sure that’s the right word, but there it is. So my problem blessing is that I can’t help but remove clothes when I’m writing. Before you get carried away or think me a total nutcase, I don’t mean my own. I definitely do not sit butt naked in front of my computer! It’s when I write. I’ve previously talked about how the Bearwood series was initially written to target the young adult market, but due to my need to add somewhat detailed steam (that goes beyond what is expected in YA), I ended up rewriting it as NA, which worked pretty well for me. I like a little spice in my books, actually, I LOVE writing steam. Currently, I’m writing another book set to be a set of standalone in a series, and all of them will be what some deem ‘smut’. Now I’m not an erotica writer, although I could probably give it a fair whack, but I do like my paranormal or contemporary romances to have a lot of heat.

So why am I writing about this on YATopia? Good question! Well, while transferring files from an old computer to a new one, I stumbled across my 2014 nanowrimo project, a NA Dystopian. I started reading it and for once when I read an early version of my own work, I didn’t think it totally sucked. It needs work, for sure! Actually, it needs a total overhaul as I intend to change some major things and turn it into a sci-fi rather than a dystopian.

One of the things that I noticed was that, once again, I had added steam to it. Typical of me, but I also thought I knew when a steamy scene needed to be in a book and when it didn’t. For my PNR, I included them when emotions were running high and when there was an actual point to having them there. They belonged. But this nanowrimo project that I found, the sex is without a doubt out of place. Even reading it, I can see myself that this book is a YA pretending to be NA. The language is definitely geared toward older young adults, as are the small but technical descriptions when it comes to the science behind their existence. The sex just doesn’t need to be there—there is no place for it. Certainly the emotional relationship the two share can be explored, but I don’t need to include a detailed physical scene to do this.

The debate on whether to include sex in YA books has been going for a while now. I support the inclusion. Indeed, it has to approached with care, and it definitely can’t be graphic, but for me this didn’t matter. The sex simply didn’t belong. And that’s really what this post is about—knowing when to include it and when not to. To me, the answer is really quite simple. If they belong there, if they truly move your plot forward then that’s a-okay, but if there is no other reason for them being there other than ‘they just are’, then maybe that particular sex scene needs some rethinking.

To be honest, I’m not sure I’ll ever publish this book, but I do intend to work on it, so part of that includes deciding whether there is a place for sex in this book, and there isn’t.

E.L. Wicker

Thursday, February 12, 2015

YA's PG-13 Misconception

The other day I was listening to the audio book of Kendare Blake's ANNA DRESSED IN BLOOD. Within the first two chapters I heard the "F" bomb. Twice.

It was wonderful.

But I found myself double-checking that the book was indeed a YA. For the record, it is Young Adult. And shame on me for thinking just because a book has a certain four-letter word it suddenly becomes Adult.

YA is not the literary equivalent of a PG-13 movie. This is something I had a misconception of. Young Adult fiction is defined that way simply because the perspective of the narrative and main characters is that of an adolescent. That's it.

It would be ignorant to assume teenagers don't swear. It would also be naive to think some don't occasionally smoke, drink, have sex, take illicit drugs, make mistakes, have an opinion.

They are human aren't they?

The wonderful thing about literature over film is that there isn't too much of a box to be cramped by. Each of our experiences with a book, while shared in regards to the plot, is completely unique for every one of us.

Whether it's the fantastically grotesque aftermath of a monster attack in Rick Yancey's THE MONSTRUMOLOGIST or the aforementioned Kendare Blake novel, YA doesn't mean authors should back down from the way they intend to tell their stories. Even though it's all lies in the end, truth resonates still. Readers expect as much. Readers deserve as much.

Sean




Sunday, January 11, 2015

Publishing is a House with Many Doors



You don't need an agent.

But, Sean! you say. Aren't you always spouting advice about how to query and interact with agents?! Now you're telling me not to even bother?!

Go back to my first sentence. I said you don't need one. You can certainly want one. I do. It's a personal preference. Agents do a great many things you probably already know about.

But let's face facts. Sometimes agents might not think your manuscript is sellable in the market at that time. Should you trunk the novel? If you want to. However, allow me to offer another option.

While many big publishers require an agent to be the contact point between author and editor, there are many amazing publishing houses that accept unagented submissions. Tor is one that comes to mind, which is great for peeps like me who write speculative fiction.

That's right, kids. You can basically be your own agent.

Many, many, many authors did the reverse of what is thought to be the standard way to get published.

Brandon Sanderson met his editor at a convention and was offered publication. Then he went looking for an agent. His Writing Excuses co-host, Dan Wells, did the same thing.

And let's not forget smaller publishers. Sure, there are a lot of crap ones out there that slap their books with a stock photo and some cheesy font, and whose website looks like it was designed by your seven-year-old niece. But there are tons of amazing independent publishers that do some stellar work and whose books sit on the same Barnes and Noble shelves with Random House, William Morrow and the rest.

If you want an agent first, that's great! Do it. If you exhaust that, but still think your book is sellable and ready to rock, don't shy away from submitting to willing editors.

Just because one door closes, doesn't mean you should mope away down the street. Publishing is a house with many doors, and one will open for you if you just keep knocking.




Wednesday, January 7, 2015

Sneak Preview: CALL SIGN: KARMA

I wanted to kick off the New Year with a bang, so I sneaked in to take an early spot on the blog before my official post. My wonderful friend and agent, Jamie Rae, releases her NA Romance book CALL SIGN: KARMA on the 5th of January 2015, and being the wonderful person she is, she's agreed to let the YATopia readers have a sneak preview of what's to come! I  hope you all enjoy, and that you can support this fantastic author and her exciting new book!!


CALL SIGN: KARMA by Jamie Rae




About Call Sign Karma


Love in the no-fly zone… Distraught over the loss of her brother in a fighter jet accident, Tinklee Pinkerton decides to follow in his footsteps—and prove the tragedy wasn’t his fault. But when she’s chosen as the first woman to fly the Air Force’s F-35, her plan for a life that revolves around work is thrown off course by a handsome, mysterious stranger… Thanks to Locke’s seductive British accent, sweet nature, and one too many beers, Tink is soon inspired to throw caution to the wind—and herself into his arms. She thinks maybe love can heal after all—until she discovers Locke is her superior officer. Tink has no problem risking her life in the air, but with everything on the line, is she brave enough to risk her heart on the ground?


Sneak Preview Excerpt

Three quick knocks rapped on the back door.

As I ran for my weapon, I caught a glimpse of the man standing on the deck. He peered through the glass of the French doors. I swung open the closet, pulled out the Louisville slugger, and limped toward him. I may have played soccer instead of Little League, but I still knew how to swing a bat.

“Go away. I called 911,” I shouted.

I flipped on the outside deck light so I could get a better look at the man. I’m guessing the detectives, FBI, and office of Homeland Security would need a description.

He was six foot, possibly two, with short, wavy blond hair and lightning blue eyes that were squinted from the porch light. He held a handkerchief to his nose and wore a light blue, bloodstained, linen shirt that was partially unbuttoned revealing his ripped abs. I hesitated until I remembered I was in danger.

He had on khaki shorts, flip-flops, and a tattoo on his ankle. I scanned back to the top of his body. Muscular, tan, tall, and wow, those electrifying eyes. Holy hell, this guy was freaking hot. He was going to have a really good mug shot. If only we had met under different circumstances, I might actually offer him a beer.

A soft smile tugged at his lip as he dangled my smartphone in his hand. My wet, sand-covered smartphone.

“Son of a bitch,” I moaned as I remembered that it was in my back pocket when I fell into the ocean.

I had to get it into a bag of rice and fast. It had my music, my schedules, and all my passwords. I was lucky if I remembered my own number, let alone everyone else’s.

“Leave it on the deck. And go.”

I tightened my grip on the bat. Mr. Tall, blond, and handsome removed the handkerchief from his nose. A tiny flutter tickled in my chest. My head tipped slightly to the side. He didn’t look threatening. Minus the blood, lumps and cuts, he looked like he just stepped off the front cover of GQ.

“Sorry, Miss Nutter, but do you think I could trouble you for an icepack?”

“No,” I replied.

“Please?”

He sounded and looked like a real life Prince Charming. The only thing missing was his white horse. Maybe the Karma gods had sent a peace offering? I shook my head. No. My house was built of stone and there was no way I was letting a freaking wolf in, no matter how smoking hot he was.

I needed to protect myself.

But why did I need protection? I looked at the bloodstain drying on his shirt. If anything, he needed protection from me.

As if he had read my mind, he shook his head and laughed. He sat my phone on the bench, raised his hand in the air in a non-threatening manner and turned to walk away. Where was he going?

I dove forward and gripped the door handle ready to pull it open, but I stopped as my father’s stern, no-nonsense voice boomed in the back of my head––“Don’t ever let strange men into the house.”

But when in my life would I meet another crazy beautiful man with a British accent that twisted my lady parts into a knot? His hand rested on the railing as he was about to walk down the steps and out of my life forever. I cursed under my breath and prayed that I wouldn’t wind up on the news.

“Wait,” I called to him as I swung open the door.


Buy Links







About the Author


 
JAMIE RAE is a New Adult and Young Adult author. She writes with one goal in mind - to create stories with a positive message that will stay with the reader long after they've finished reading.

Jamie is an avid reader and loves discovering stories with a great hook. She will not eat, sleep, or speak until she reaches the end. The Harry Potter years weren't pretty! Convinced that her Hogwarts letter was lost in the mail, she keeps a watchful eye for owls hoping her children will have better luck.

In her other life, Jamie Rae creates smiles to last a lifetime as an orthodontist, keeps her heart overflowing with love as a mother of three and has perfected the art of nomadic living as a military spouse and Air Force veteran. Jamie has a passion for critters of all shapes and sizes and you can often find her sneaking them into her own home or volunteering for rescues.



Social Media




Instagram- JamieRaeWrites




 Teasers 





Wednesday, November 12, 2014

The No Spark Rejection




If you're a writer and any kind of good, you'll inevitably get past form rejections and make it to the big leagues of actual comments on your work.

Wow. An agent/editor was moved enough to give a personalized rejection!

But this can be bitter sweet.

Sometimes they might offer helpful feedback that, if you agree with it, can help you fix an area of your manuscript you and your CPs hadn't caught. Heck, they might even request a rewrite.

Other times it's not so helpful.

The "no spark" rejection, also known as the "didn't connect" or "just didn't love it the way I wanted to" rejection, is a big, acrid jug of "no thanks".

And there's nothing you can do about it. Often these rejections are attached with comments saying there's nothing wrong with your work. Not one dang thing! You have great characters, an interesting premise, the pacing is right, there are no cliches--but....

It's a case of "she's just not that into you".

These kinds of rejections can be hard to take. "But you said there's nothing wrong with it!" As productive human beings we struggle with the thought that there is nothing to fix. No flick of the wand that'll brush things up for the next agent/editor.

But on the flip side of things, you don't have to fix anything. Move on to the next agent. Send the work out to the next editor. Just like dating, you can't get bent out of shape over one person, even if you thought you guys would be great together and you really just "knew" it was going to happen.

I've thought about this over the last month in great detail. And I've thought of books I have on my shelf that I didn't really like.

Pet Semetary - Meh. Didn't think it was that scary, just really sad. It made me hug my one-year-old son tighter every day, but I didn't feel that "spark".

The Name of the Wind - I picked it up thinking the hordes of people praising it couldn't be wrong. But they were, at least, in comparison to what I like. It wasn't a bad book. It just wasn't that great. I had higher hopes for it.

Divergent, The Hunger Games, and a good many other YA books - They were written in present tense. I disdain present tense, and that's putting it gently. Not that it means the books are bad. They just don't fit into my wheel of cool.

And this is just my opinion, my taste. I am but one individual and there are plenty others with differing views. It's the same with the people you submit to. They're people--fallible, unique.

But that's what makes this journey we've endeavored to begin so magical. It might take you a few tries at the arcane table. You might have to send more than one raven with your potion of awesome.

It's hard. But that doesn't mean it's not worth it.

-- Sean





Sunday, October 12, 2014

Rejection: A Hard Look at a Tough Reality

The other day I biked to work. It was a grueling seven mile ride made even more difficult because all I have is a mountain bike and the surrounding area wouldn't be what you'd call cyclist-friendly.

On my way home I came to a mental crossroads. I was berated by the voice of some lazy, tired part of me to stop. "Enough with the biking already. These hills are killing me!"

At that point I was about four miles away from my house--less than half of the trek completed. What were my choices? Was stopping and looking like a schlub on the side of the road an option? Would I walk my bike the rest of the way and have the little free-time I get wasted because I decided to go for a slower option?

No. What I did was ignore that stupid voice and pressed on.

I knew that it would be difficult, yes, but the reward at the end was greater than the temporary relief of stopping. I knew that if I kept going, my muscles would be made stronger. My next trip would be easier because my anatomy and my spirit would have been primed for it. I knew the only way to get better was to keep going.

Now, let's talk writing.

Every author whose books fill bookstore shelves has faced, received, and been pummeled by rejection. Rejection is one of those things that is talked about in the writing community as a necessary evil and a "thems the breaks, kid" brushing off of the shoulder.

But that doesn't mean it doesn't sting. It doesn't mean that it's easy to take.

But if this gig was easy, everyone would be doing it.

Some authors are more vocal about their early struggles than others and I'm sure it's easy to forget the battle of first starting out, or we might not fully realize or appreciate that all these big wig writers have been said no to.

I can't speak for self-publishing, but let's look at the traditional route.

Some people may say, "Huzzah! I've got an agent. Life has now been made easy."

Oh, boy.

Well, congrats on getting representation, but don't forget that now that agent has to submit to editors and rejection is still a very real possibility. If this was a video game: You've finally found someone who has agreed to let you into the dungeon, but you've got a long road until the boss battle. And then you have to win.

So, you've gotten an editor who loves your manuscript. Again, hooray for you! But that editor, more than likely, has to take it to a meeting of people who make the decision of what their publishing house will be printing that year. Your work now has to impress at least a majority of those at this gathering.

You're going to be published!. Hip hop hooray. Now, I'm sure this is a wonderful feeling that no one can take away from you. But, again, rejection is a very real thing. If your book doesn't sell well enough in the eyes of the publisher, they might not take another chance on you. And then you basically have to go back to Level 1. I know that no one plans on this happening and, if you and the agent and the editor have busted tail to make the book the best it can be, it's out of your hands.

But rejection is still real.

Your book and your writing career are in the readers' hands. This is a fact that applies to both traditional and self-published endeavors.

So, Sean, what's the point? I mean, with all this rejection why should I even try?

I remember when I told a family member I wanted to become a fireman. They said pretty much the same thing. "A lot of people go out for that job. It's hard to get in."

Two months ago marked four years of me being a professional firefighter.

Just because something is hard, does it mean it's not worth the pursuit?

I believe it makes it that much more cherished and wonderful when you finally do succeed.

Rejection gives you tough skin, a badge of honor in your attempt. It weeds out those who didn't want it bad enough. It strengthens those that press on. Being told no should build up the appreciation of the inevitable yes.

And it is inevitable.

I firmly believe that those who never give up learn a vast amount more than those who never start. With that hard-earned knowledge, you become better. You find new ways of telling stories and try things that no one else can.

You become a professional.

I am not here to tell you that rejection becomes easier. It absolutely doesn't go away. What I'm saying is that, like burs on a cotton plant, like a hangover from too much fun, it goes with the territory. And those that want to live on these crazy, hard-toil plains have to learn to accept it.


- Sean


P.S.

Sean's Hydra Querying Technique

Remember the tale of Hercules and the Hydra and how every time he whacked off one head, two would grow in its place? Here's a trick that can help you during the rough days logged in the query trenches.

1. Query an initial set of agents. Most people say 10.

2. If you get a rejection, query two more agents in place of that one who passed.

This promotes momentum and helps you cast a big net. Please, still do your research and make sure the intended agents rep your kind of manuscript.



Tuesday, August 12, 2014

Writing Hacks During the Revision Process

You've heard of life hacks--simple tricks that make your life easier, more fun, and interesting.

While every book is different and you have no doubt found your own bag of editing swag, some tools are just indispensable.

I'm in the middle of revision right now. And starting another novel. This may or may not be ill-advised, but I'll see how it went after I'm done.

Here are some writing hacks that you may or may not have heard of.

1. Paragraph Hacking

You don't have to read the following. Just look at each section and tell me which looks more inviting to the eyes.

Example 1

We hold these truths to be self-evident, that all men are created equal, that they are endowed by their Creator with certain unalienable Rights, that among these are Life, Liberty and the pursuit of Happiness. — That to secure these rights, Governments are instituted among Men, deriving their just powers from the consent of the governed, — That whenever any Form of Government becomes destructive of these ends, it is the Right of the People to alter or to abolish it, and to institute new Government, laying its foundation on such principles and organizing its powers in such form, as to them shall seem most likely to effect their Safety and Happiness. Prudence, indeed, will dictate that Governments long established should not be changed for light and transient causes; and accordingly all experience hath shewn that mankind are more disposed to suffer, while evils are sufferable than to right themselves by abolishing the forms to which they are accustomed. But when a long train of abuses and usurpations, pursuing invariably the same Object evinces a design to reduce them under absolute Despotism, it is their right, it is their duty, to throw off such Government, and to provide new Guards for their future security. — Such has been the patient sufferance of these Colonies; and such is now the necessity which constrains them to alter their former Systems of Government. The history of the present King of Great Britain is a history of repeated injuries and usurpations, all having in direct object the establishment of an absolute Tyranny over these States. To prove this, let Facts be submitted to a candid world.

Example 2

We hold these truths to be self-evident, that all men are created equal, that they are endowed by their Creator with certain unalienable Rights, that among these are Life, Liberty and the pursuit of Happiness.

That to secure these rights, Governments are instituted among Men, deriving their just powers from the consent of the governed, — That whenever any Form of Government becomes destructive of these ends, it is the Right of the People to alter or to abolish it, and to institute new Government, laying its foundation on such principles and organizing its powers in such form, as to them shall seem most likely to effect their Safety and Happiness.

Prudence, indeed, will dictate that Governments long established should not be changed for light and transient causes; and accordingly all experience hath shewn that mankind are more disposed to suffer, while evils are sufferable than to right themselves by abolishing the forms to which they are accustomed.

But when a long train of abuses and usurpations, pursuing invariably the same Object evinces a design to reduce them under absolute Despotism, it is their right, it is their duty, to throw off such Government, and to provide new Guards for their future security.

Such has been the patient sufferance of these Colonies; and such is now the necessity which constrains them to alter their former Systems of Government.

The history of the present King of Great Britain is a history of repeated injuries and usurpations, all having in direct object the establishment of an absolute Tyranny over these States. To prove this, let Facts be submitted to a candid world.


Both examples are an excerpt from the Declaration of Independence, penned by Thomas Jefferson. But only one is structured in a welcoming way.

The second example is the winner. The reader doesn't go, "Oh, great let me slog through this."

Don't be afraid to break up your paragraphs.

Even if they are only a sentence long, a single sentence paragraph is a great technique to get a particularly important message to the reader.

(See what I did there?)

2. Reading Aloud

Yeah, yeah. You've heard this before.

But it works.

While going through your manuscript during edits, read aloud. If you stumble on a word or sentence or it just seems weird to you, investigate the conundrum and see if it needs to be added to, cut, or changed to make it all flow better.


3. Get Feedback but Wait on Using it.

Run through your manuscript by yourself the first time and then consult your beta readers' notes. You may fix something they point out any way.

You want constructive critique but you don't want any notes that could adversely shift the structure of your story.

Remember, YOU are the architect. The CPs are the guys who make sure your building is up to code and not a fire hazard.

You want to have the deepest sense of your story FIRST, then look at the notes and see how it fits in the large scheme.


Revision is different for everybody and no one has all the answers. At the end of the day, it's your book and your call. Do what works for you.

But at least DO revise. First drafts are toothpick houses built by the tide. They have to be moved, fortified, and made to last.

And you're the one with the plan.


Wednesday, June 18, 2014

Editopia: Meredith Rich with Bloomsbury Spark

Editopia is back! Today, we're thrilled to welcome editor Meredith Rich, the digital editor for YA and NA at Bloomsbury Spark.

Previously Meredith has also been a historical reinactor, a regular actor, a barista, a children's bookseller, a math editor, and a playwright. Many years and careers later she finally figured out that she loves storytelling, and that helping other people tell their own stories is even better. Her best days are spent with a good book and iced coffee in the park, preferably with someone else's dog to pet. You can find her on twitter at @MeredithJHRich

Bloomsbury Spark is a one-of-a-kind, global, digital imprint from Bloomsbury Publishing dedicated to publishing a wide array of exciting fiction eBooks to teen, YA and new adult readers. Their outstanding list features multiple genres: romance, contemporary, dystopian, paranormal, sci-fi, mystery, thriller, and more. Bloomsbury Spark is open to non-agented submissions, so if you have a manuscript between 25 and 60k words long, then please check out their submissions guidelines here: 






Hi Meredith! Thanks for being here. Okay, to start if off: most authors are surprised to find out that editors’ days aren’t spent kicking back at their desks with mugs of tea and piles of manuscripts and that, in fact, most work reading happens outside of work. Describe what your “typical” day actually is.

Hmm…my ideal day is something like this:

8:30-9:30: Answer all of the email as fast as I can, trying to get on top of my inbox. Often my favorite part of my day. I love email. Is that weird?

9:30-11: Either meetings or catching up on paperwork, metadata, marketing things.

11-1: Whatever needs doing. Sometimes this could be writing design memos for the cover, talking to freelancers, routing invoices, meeting with our Spark team, writing acquisition proposals, or chatting with authors and agents. I also really love spreadsheets so I try to slot some time to update all of them. There are many and they are all also color-coded. Of course.

1-3:  By this point I can try to settle in for editing for an hour or two. Sometimes I am writing longer edit letters, looking at arc, structure and characters, and with some I really look more at line edits from the beginning. I am very lucky that my authors are flexible and willing to take whatever feedback necessary! I am also lucky in that they forgive me for my overuse of "awkward" in line notes. 

3-4: Usually in the afternoon I try to look through some submissions and move things along. They can really pile up and I try to at least decide which ones I am interested in reading and then move them to my kindle to read later.

4-??? I head back to editing. We have two titles a month slated for Spark so I often edit at home and read submissions on the weekends.

Of course most days my actual schedule looks like this:
8:30-???: Meetings, emails, spreadsheets, meetings, emails, coffee, emails.
  

Ha! Yes. Those ideal days never quite happen, even with the best, color-coded intents, right? Without implicating anyone, can you tell us one of or some of the weirder submissions you’ve received?

One of the weirdest ones I have ever gotten involved a main character that had a really hard time with…certain bodily functions. I can’t even describe the query without it getting gross, but suffice it to say, it was quite easy to “flush” that one. (Sorry, couldn’t help myself. :)

*Snort* I really love the varied answers we get to that question. Switching gears a little, is there a particular book that sparked your love of reading or a book that you re-read time and again?

I don’t quite remember what age I was when I discovered Tamora Pierce, but I think it was probably around third or fourth grade. Reading her Song of the Lioness series was like discovering a whole new world that combined some of my favorite things. (Girls disguised as men, knights, magic, etc.)

I remember one particular family vacation to Germany where I only brought those four books with me, and I think I read the whole series through ten times by the end of the two weeks. One of my mom’s favorite photos of me features a very awkward Meredith on a train, ignoring the passing castles out the window, and completely engrossed in what Alanna does next.


How could anyone mind "awkward" when you also describe yourself that way?! That's adorable. Okay, so, I love to swim but have a total fear of drowning and I find it really hard to read books where that is a plot point. What about you? Anything you hate to read about? On the other hand, are there subjects you’re drawn to?

I am a super scaredy-cat as far as blood is concerned so I can’t read horror, as much as I might like to! I am ok with thrillers and mysteries, and I can handle violence in books as well if it is well placed and purposeful, but I can’t watch it on TV! For example I read and loved the Game of Thrones books, but I absolutely cannot watch the show. Just can’t.

As far as what I am drawn to without fail, I was a theater major in college and a historical reinactor right afterwards, so I love books with a historical twist or anything set in theater! I also love living vicariously through books set in small towns, mostly because I have lived in major cities my whole life. Also girls disguised as boys in fantasy always grabs my heart thanks to the aforementioned Tortall obsession, compounded by the fact that Twelfth Night is my favorite Shakespearean play.

is it bad that when girls disguised as boys come up, you think Shakespeare and I think Amanda Bynes movie? Hmm. Okay, ever since stumbling upon a tumblr feed that rounded up page shots of all the books that have a variation of the line “S/he released a breath s/he didn’t know s/he’d been holding” I spot it left and right in stories and now it makes me giggle! Also, I know about three people in my real life who have deep green eyes and yet every book seems populated with them! What about you? Any writer’s tics or cliché pet peeves that jump out at you?

I really can’t stand reading about girls who don’t realize how beautiful they are. I like a certain self-awareness in my narrators, and I find confidence likeable! Of course sometimes it could be essential to the plot, (if the character has an eating disorder, etc.), but the trope of spectacularly gorgeous heroines with hair like a waterfall and eyes like emeralds not knowing they are that gorgeous? I don’t buy it.

Amen to that!! Finally, here’s your chance to plug a few books on your list you’re excited about…

Ooh! Now choosing my from my list is like picking a favorite child…or dog. (I imagine picking a favorite dog would be harder. They all have puppy eyes!)
But, if I have to, these are the ones that I am working on at the moment that I fall for over and over again.

MY SOON TO BE SEX LIFE by Judith Tewes

 This YA contemp is so full of snark and heartwarming family drama, all with a girl who is just trying to take control of her own sexuality. I can’t get enough.

INKED by Eric Smith
Set in a society where tattoos are magical, fate altering, and mandatory, this YA fantasy takes you to the heart of corrupt government, and surprises me every time I read it. I am also pretty sure I will wind up with a tattoo by the time the release date rolls around.

THE EDGE OF YOU by Theresa DaLayne
This swoony New Adult romance is set under the midnight sun in Alaska. In the eternal words of Liz Lemon… I want to go to there.

ANY WAY YOU SLICE IT by Kristine Carlson Asselin
I love books about sporty girls, (perhaps to compensate for the fact that the only varsity sport I ever played was the dance team?), and this one hits the spot for me. It’s MYSTIC PIZZA meets THE CUTTING EDGE folks with a small town feel that evokes Stars Hollow. Get in line.

These all sound great, although I confess a soft spot for Any Way You Slice It because I'm friends with Kris and was part of the epic brainstorm session that went into titling that one. Can't wait for it! Thanks again for being here, Meredith!!

Thursday, June 12, 2014

Going Hermit: Getting Away from All the Noise



Not too long ago I decided to take a break from Twitter. It wasn't a long hiatus and, granted, the big dent punched into my mobile data was a significant motivation toward that decision, but all that aside--I needed to remove the distraction. And coming back, I wish I would have taken a longer walk away from it all.

Sometimes I forget that Twitter and other forms of social media are not solely mediums to mingle with other writers, to promote your work, or to stalk the agents who have your MS.

It can drive you nuts.

And soon you find you're doing more "Tweet gazing" than working on your work in progress or plotting or revising or editing. (What's the difference between those last two again?)

It's not just the interwebs either. You can be surrounded, if not completely pummeled, by family and work obligations. Sometimes it's like you can't breathe with all the noise noise NOISE!



That's why I advocate going hermit every so often.

You read correctly. We are all familiar with the image of the loner, bohemian writer, locked away in solitude, drinking absinthe and struggling over every last consonant and punctuation.



You don't have to go that far.

There are many writing retreats you can pay for or, even better, you can get with local writing buddies and sock away an entire weekend with no phones, no internet, just writing and companionship. And sleep for God's sake.

Rent a hotel room. Go to the library to write. At minimum, hit that disconnect from WiFi button on your laptop and dive into the world you are creating.

It's easy to get sucked up in the world of publishing and who's pitching what and what one idiot said online about the genre you love to read.

So easy, in fact, that you can neglect the one thing that makes a writer a writer.

Writing.


Sean

Monday, May 12, 2014

The Importance of Diversity in Your Beta Readers/CPs

Most of the CP/Beta feedback I received on my first novel was from white, twenty to thirty something dudes. Like me. The responses I got were somewhere along the lines of:

"This rocks!"

"Awesome."

"I love his voice!"

I was riding high. I had knocked it out of the park. Then I met a female CP who was digging it, too--until the third chapter. At that point, she said my MC was a jerk who seemed to just want to use women.

I laughed to myself.

I figured she just didn't "get it". She didn't understand how young guys thought. And she was just one voice crying foul from the dark.

Then an agent said the same thing, almost verbatim, that she enjoyed it until the same point in the story and then just saw my MC as a player douche.

Well, dang.

And after casting eyes across the pages once more--they were right.

Thankfully, the agent said she would look at it again if I fixed her area of concern. I crawled back to my female CP on hands and knees and asked her to look at my revision that focused on making the star of my book less of a tool.

She loved the revision.

Good! Great! Grand! Everybody on the bus!

But I wasn't finished. I met a self-declared feminist on Twitter and asked if she would look at it. She also brought in one of her CPs, who was not only a feminist but also a woman of color. They gave me great notes and thankfully my revision had hacked away any flagrant douchebaggery that had weighed my MC down without changing the story.

The point of this little learning experience is to do your best to have CPs from a wide range of characteristics and view points. It's the only way to really have your manuscript run the gambit and test its metal. Welcoming diversity in your beta readers means you'll have the perspective of individuals who are not like you. You don't have to agree with every critique they give but it'll give you a better idea of the different types of people who will walk the aisles of a bookstore where your tome may sit. And the whole point is to get those pedestrians to pick your baby up and head to the cash register, right? Right?


Sean

Saturday, April 12, 2014

Time: The Elusive Minx



Has it been a month already?

I tell you, lately it seems I'd have better luck finding Sasquatch over seizing free time to write or do anything else. If a writer writes, how does a writer write if the time to write can't be gotten?

Alright, enough riddles.

If you're a new parent like me or have mounting responsibilities at the day job or any other life event blocking your productivity, you know how much it can suck to reach the end of the day and have the tough choice of writing vs. sleep.

So, let's cover that first. Sleep should win nearly every time. Your work will usually suffer if you attempt to write while exhausted. Don't do it. You might get some words down, but the next day you'll be shot and will lose another day that could have otherwise been used for quality scribbling.

Next, you have to make writing a top priority. If you don't schedule it in, it won't get done. Your spouse and children may or may not be supportive of your passion for fiction but you shouldn't use that as a crutch. Be unrelenting but also realistic. If little Timmy is having his birthday party, you'll look like a real putz if you neglect him for time at the keyboard. At the same time, your family and friends should understand that you have a burning that can't be vanquished. You may have to wait until everyone goes to sleep or wake up before the sun to get your word count in. Heck, you might even have to leave the house and go find a library.

You may have to sacrifice rituals. I love to have quiet and refuse to stop until I've reached my daily goal. Get rid of your OCD and understand that you may have to do tiny sprints throughout the day. A hundred words here. Two-fifty there. You might have your cinnamon-infused mochachino go cold because you have to change a diaper or take someone to the doctor. Come back ready to attack the WIP once again.

Don't get depressed because you've missed a day. It happens. You may be so tired your eyes write you off and slam shut on their own. You may have to go out of town. Work around it if you can but don't be so hard on yourself if the writing doesn't get done. As long as you are persistent in trying to come back and get at it again, that's what counts.

Look into time management techniques and see what might work for you. Have a real heart-to-heart with the ones around you who might be zapping your time and energy. See if you can come to a compromise.

And relax. The book will be waiting for you. And like anything else, busy times will subside and you can get back to riding alongside your ninja elves or vampire tax attorneys.

Until next time (if I have any to spare),

-Sean




Wednesday, March 12, 2014

Writer Fitness

"Me thinks that the moment my legs begin to move, my thoughts begin to flow." -- Henry David Thoreau

Different people have different ideas of what a writer's day looks like. Some see a mug of coffee beside a laptop and stacks of books, papers, and enough cats to build a fort. Others might envision a scribe staring out of a window or at one of those "Hang in There, Baby!" cat posters until the click-clacking fills the room like the end of every Doogie Howser episode.

The thing is, every writer is different in their approach to getting the words down, but we all can benefit from regular exercise. While you may have seen an infomercial or two exclaiming the same thing I just said, let's look at how fitness impacts a writer specifically.

1. One study* showed that creativity was increased for up to two hours after a thirty minute period of aerobic exercise while the control group, that did not, showed no increase in cognitive creativity.

[Blanchette, David M., Ramocki, Stephen P., O'del, John N., and Casey, Michael S. (2005), Aerobic Exercise and Cognitive Creativity: Immediate and Residual Effects, Creativity Research Journal, 17(2&3), 257-264.]

2. Physical activity releases endorphins and flushes out cortisol which puts you in a great mood. Who wants to write while depressed?

3. You become more focused and motivated. That daily word count goal will be a cinch.

4. Creative juices literally start flowing and you may get dozens of ideas for that sticky plot point you've been mulling over. Exercise destroys "writer's block".

5. Most highly successful authors have exercised regularly: Stephen King, Henry David Thoreau, Joyce Carol Oates, Thomas Wolfe, Will Self, and too many more to name here. Just ask your favorite author. They'll tell you they get their work out on.

Writing is a very mind-heavy activity. It just makes sense to balance all that brain-racking with a little physical movement. I like to run and lift weights but you can just take it easy and walk, taking in the environment. Every experience adds to your goodie bag of author swag.

While I'm sure there are authors out there who are successful and have a writing ritual of vegging out with peanut M&M's and Mountain Dew Code Red--how long will that last? Writing is one of those passions and, hopefully, careers that doesn't have to have a retirement date. All of us will have a final novel, short story, or essay some day. The question I leave to you is: How soon do you want that last project to come?

Take care of your bodies and the words you sling.

-Sean

Wednesday, February 12, 2014

What is New Adult?


Being the NEW guy and also representing the New Adult category, I thought it would be appropriate to delve into the basics of this growing area of publishing.

The term New Adult was introduced by St. Martin's Press in 2009 when they held a contest seeking "...fiction similar to YA that can be published and marketed as adult—a sort of an 'older YA' or 'new adult'." Most NA books were self-published at the start but that has quickly changed.

I had no idea what New Adult was. At all. Even after writing my first novel, I thought I had written an Adult urban fantasy thriller. There's sex, blood, and lots of expletives. It was definitely not YA. When I found an article covering the new category I was an immediate naysayer. I know, I know, I shouldn't jump to judgments but...I did. I thought it was just a way to cram another categorical shelf in the bookstore or leapfrog on the success of Young Adult fiction. Then I dug a little deeper into what NA really is and to my surprise, the novel I had written was clearly New Adult.

What NA IS:

1. Fiction where the protagonist is generally between the ages of 18 and 25

2. Themes include: leaving the nest, first job, first serious relationship, responsibility, etc.

3. Can be grittier and more "adult" than YA. Situations you wouldn't dream of putting your high school MC in can be tackled with malicious glee.

4. A category covering the gap between youth and adulthood. It has been said that becoming a grownup doesn't happen overnight. NA appeals to the age group that may be in college, may have dropped out of college, or may have never gone in the first place. It's about those individuals who don't yet have a mortgage or kids or a 401k. It's about finding your notch in society and the world around you. I don't know about you but I couldn't wait to leave my parents' house. Then I was on my own. Lots of painful learning ensued.

What NA IS NOT:

1. Erotica. It is a common misconception that New Adult means sex. Yes, the door for that is wide open but it's not a requirement. It's also not just frilly, foofoo, girly romance either. New Adult is a CATEGORY not a genre. New Adult books can be horror, fantasy, mystery, sci-fi, and everything in between. There need not be a puff of "steam".

2. A marketing ploy. While it's true that the category was created by the industry, the readership is there. Jamie McGuire's books are a single but valid example. Her books BEAUTIFUL DISASTER and WALKING DISASTER have sat very comfortably on the New York Times and USA Today Best Seller Lists.

3. Going away. It's a rare occurrence where I'm happy to admit when I'm wrong but I will gladly say that I am an NA convert. A market has been created for an entire army of readers who may have felt they didn't have a voice. New possibilities have been forged. The future has been expanded.

I, for one, am excited to see what comes next.


Friday, May 17, 2013

New Adult Cover Reveal: ENDRE by ST Bende

ST Bende's first book in the new adult paranormal romance The Elsker Saga, ELSKER, has been making waves on the indie circuits. So while we're all eagerly awaiting the release of the second installment in this Nordic love story, we'll have to content ourselves with ogling the cover.

So here it is...

*drumroll please*


Sometimes, finding your destiny means doing the exact opposite of what The Fates have planned.

Winning the heart of an immortal assassin was a dream come true for Kristia Tostenson. Now she's knee deep in wedding plans, goddess lessons, and stolen kisses. But her decision to become immortal could end in heartbreak -- not only for Kristia, but for the god who loves her. Because while Ull would do anything to protect his bride, even the God of Winter is powerless against the Norse apocalypse. Ragnarok is coming. And the gods aren't even close to ready.



ENDRE releases September 23rd from Entranced Publishing, but if you haven't read ELSKER yet you can find out more here