Showing posts with label fiona. Show all posts
Showing posts with label fiona. Show all posts

Monday, April 10, 2017

Easter Author Surprise!

Happy Easter everyone! As some of you might know, I live on the wonderful island of Cyprus (near Greece), and Easter is a very big deal over here, so it’s time for us to celebrate! For me, there’s no better way to celebrate than to tell you all about the release of my close friend’s (and CP’s) debut book: THE CASTAWAYS by Jessika Fleck. First off, just look at that cover.



Isn’t that the most gorgeous thing you’ve seen? It reminds me of Aslan from Narnia, and you can’t not fall in love with that. So, go ahead, read the blurb below, and be super lucky and pre-order. Trust me, this book will whisk you away (and I’m not just saying that because Jessika’s my friend. Her book is actually really good).


BLURB


The Castaway Carnival: fun, mysterious, dangerous.

Renowned for its infamous corn maze…and the kids who go missing in it.

When Olive runs into the maze, she wakes up on an isolated and undetectable island where a decades-long war between two factions of rival teens is in full swing.

Trapped, Olive must slowly attempt to win each of her new comrades’ hearts as Will—their mysterious, stoically quiet, and handsome leader—steals hers.

Olive is only sure about one thing: her troop consists of the good guys, and she’ll do whatever it takes to help them win the war and get back home.
 

You can pre-order Jessika's wonderful novel at:





Right, we all want to know the juicy details from an author, but we want extra special questions since it’s Easter, right? Of course we do. So, let’s see what we can rustle up.

      Welcome to the blog, Jessika! Thank you so much for joining us. What we want to know is why did you choose YATopia. I’m sure some people think it’s simply promotion, but I know that isn’t true (see, I told you I know her). How is it we managed to entice you here?

First off, I’m so thrilled to be here and to have my lovely and talented friend, Fiona, interviewing me! Talk about win, win! I’ve been following YATopia for years now. I love the interviews (I’ve found some amazing books for my TBR list here!) as well as the posts on everything from craft to inspiration to editing to query etiquette!
     
      Well shucks, we’re happy you picked us. Alright, dual questions: Why did you write the Castaways? And what does it feel like to be pulled into such a dramatic world full of intrigue and danger?

I wrote The Castaways when I had two ideas come together in a struck-by-lightning sort of moment (Sometimes, cheesy as it sounds, it really does happen like that!). Part one was the story of a girl being bullied. At the time, I had a friend whose daughter was being brutally bullied at school and their struggle was heartbreaking. I knew there was an emotional and important story there. Part two happened when, around the same time, we took our daughters to a pumpkin patch for Halloween and, of course, we went into the corn maze. We had to have been the only ones there because it was dead silent and when we decided to split up and race to the finish, my youngest daughter and I silently roamed the corn stalks. As we twisted around corners and hit dead ends, I was struck: what a perfect place to run away or hide. And then, inevitably, the what ifs began to spiral and the beginnings of The Castaways was born. As for what it’s like to be thrown into this dangerous fantasy world... I suppose I’m used to it. I definitely tend toward telling darker tales in strange settings. So, I was quite at home.

      What’s your favorite moment in the book? Why is it your favorite?

This is hard (especially without giving away spoilers), but I’d have to go with when Olive is tasked to take Bug to bathe in the springs. It was a fun, sweet scene to write.


Since it’s Easter, I’m going to ask…do you think the time of year you set your plot in helps mold your plot? Would the plot be different in Christmas/Easter/Thanks Giving/the summer holidays? Why or why not?

Definitely. The Castaways is set in the fall when carnivals and festivals are most frequent in the US. Also, I’m pretty sure corn, as a crop, grows in the summer, is harvested, and then, in some instances, the left overs are made into mazes in autumn. This book WOULD NOT work without the corn maze. If set in Easter, it’d have to be a tulip maze – not near as creepy. Thanksgiving might work, but the maze would be pretty dried out by then. Christmas would be too late (Pine tree maze? Probably not.). The summer is too hot, I needed a bit of bite in the air (even if set in Texas). Yeah, The Castaways had to be set in the fall.

      Do you have any “Easter Eggs” hidden in your plot? Can you give us a clue (no, seriously, we need a clue!).

I’m the worst at planting Easter eggs! Sometimes, I’ll admit, they show up unintentionally (that’s how truly bad I am at them). I do include Easter eggs across books. You’ll find some seriously recurring items or mentions... things like names and locations and pop culture references. Even sometimes made up plants from fantasy worlds. Hint: a plant from the island on The Castaways will resurface in my next YA novel, THE OFFERING.

      If you could add any one character from another book to your book who would it be and why? Or would you choose not add anyone else?

Hmm... I’m a big fan of animal companions (as you know ;) and I love polar bears. Now... I know, a polar bear would never work on an island, but you said ‘any one character’, so I’d love to have had Iorek Byrnison from the His Dark Materials trilogy there on the island (inserted interviewer's note: I adore your choice!). The kids definitely could have used a calm, voice of reason and a great big cuddle.

      We always ask authors what one piece of advice they would give an aspiring author (and of course we want to know that, too, so spill it!), but we have another question, as well: if you could go back in time before you wrote the Castaways, what would you have told your former self from your experiences?

My one piece of advice for aspiring authors is to persist. I know it’s like the author’s rallying cry, but it’s the biggest piece of truth I can offer: Don’t. Give. Up. As for what I’d tell myself if I knew pre The Castaways what I know now... Probably to get to the island sooner! I ended up cutting thousands of words from the beginning that, in the big scheme of things, just weren’t necessary and definitely slowed the pacing. I’d also tell myself to put my pantsing pants away and PLOT! 

      What was the hardest moment in writing your book? Why?

The hardest moment was finding a balance between the two very different sections of the book. Part of it takes place in modern day, small town Texas while the other is on a fantasy island. Eventually, (thanks to my editor) I figured out I needed to cut the beginning significantly and show more of Olive’s background throughout the book instead of up front. This worked wonderfully in regard to getting into the real action of the book as well as not bogging the reader down with erroneous details. Those editors... They know their stuff!

      Finally, how are you going to celebrate Easter (we want everyone to get to know you, not just one book – after all, you’re an author to look out for, as I know you have some very special books coming up soon!)?

My daughters aren’t little bitties anymore (they’re 10 and 12), but they still get baskets from the Easter Bunny who always leaves a sneaky scavenger hunt for them (which, incidentally, gets more and more difficult the older they get). Also, on Easter’s Eve, we’ll dye eggs per tradition
Now that we know all your secrets, I’m going to give you a tough one. Choose one of your characters (any one of them), and tell us how they’d celebrate Easter?
Bug! She’d be sure to trap a cave full of chickens and would gather piles of eggs herself. Then she’d forage for different plants and berries to use as dyes and hand paint each and every one, being sure to make a special egg for each of her fellow Lions. (She’d also be sure to stash a basket out of sight from Tilly so she and Charlie and Jude could have an extra-messy, secret egg fight!)

Thank you so much Jessika for joining us on YATopia. It’s a pleasure to see such a great debut author about to make it big on our blog, and we’re super excited to see how everyone will love THE CASTAWAYS!

Wait, hold on a minute (oh come on, you can’t get away from us that easy!). Bonus round: Give us a paragraph, one that’s not in your book, that never made it in there, but you still love!
It’s been my pleasure being here—thanks for having me! <3

Okay, this is fun! Originally, I gave a glimpse into how Olive and her BFF, Tawny met. Here’s a snippet of that elementary school meeting:

              ‘“I’m Tawny.”
”My name’s Olive.”
“Oh!” Her face lit up and I braced myself for her to flee. Instead she zipped open her lunch bag, ferociously dug through it, and pulled out a small container of black and green olives, setting the jar between us.
              “Want some? They’re my faaavorite.” She smiled, removing her pink sparkly retainer and setting it on a napkin.
              We laughed, divided up the olives, and have been sitting together since.”






ABOUT THE AUTHOR

Jessika Fleck is an author, unapologetic coffee drinker, and knitter — she sincerely hopes to one day discover a way to do all three at once. Until then, she continues collecting vintage typewriters and hourglasses, dreaming of an Ireland getaway, and convincing her husband they NEED more kittens. Her YA debut, THE CASTAWAYS (Entangled TEEN), releases 4/3/17. Her next YA novel, THE OFFERING (Swoon Reads/Macmillan) is due out in the fall, 2018. Jessika is represented by Victoria Marini of the Irene Goodman Literary Agency.






Tuesday, January 10, 2017

What is a New Beginning?

There are many ways people can describe a New Beginning. Some think of it as shrugging off the past and starting completely afresh. Some think of it as totting up their information from the year before and finding a new point to build off it. Others look at new ways to tackle writing and life problems - they experiment and try new things. For me, New Beginnings are all of those things.

As writers, I believe we can sometimes fall into the trap of getting to a New Beginning with a promise of writing more, harder, querying until our fingers bleed, getting our blood pumping. And while those are all great things, I think that some things are sadly left behind. One of those is reading. We can forget to read for the pure pleasure of the written word, so focused on the achievements we want in our own writing. Forgetting to sit down and read something that's not for editing and not for studying can actually make our New Beginning not so new after all.

I also believe that many of use forget about our writer's life. I'm not just talking about our new goals or our shiny new desk space. These are certainly awesome parts of our writer's life, and I wouldn't give them up for the work (well, I could negotiate on the desk page if I really needed to). What I'm talking about is diving into the rest of our life. Have we put into our New Beginnings something to try outside of writing our book? What about a new class? Pottery? Dancing? Wine tasting? Something totally unrelated to your book. Ah, but Fiona, it's not that easy. I don't have the time for that. Agreed, time can be hard to find. But how about all that time you waste on the internet, chatting on social media. How about that time when your kids are doing their homework without you for once? How about that commute to work - audio book if you need to on a new hobby or interest. At the moment, mine is learning more Greek. For me, to those who can, putting life into your writer's life is just as important as putting in the writer.

So there you have it. Those are my thoughts on New Beginnings, and I have many more that are my passions. Books I want to read just for fun this month - The Peculiar & The What Not, Cress & Winter, How to Hang a Witch - all of which sit on my bookshelf waiting for me. And there are a whole lot of books waiting on Amazon for me to order. And then there's the life I want to include into my writer's life - learning more Greek (an eternal process!), improving my horse riding, swimming in the summer in the beautiful Mediterranean Sea, planning my wedding, travelling to Rome, trying another creative art...will I achieve all of these? Maybe, maybe not, but I'm going to try my damn best to!

What are you going to read? What are you going to live? What will be your New Beginning in your writer's life?

Thursday, November 10, 2016

Character Tension - Part 3 - Love and Romance

Welcome to the third and final part of the tension mini-series! If you haven't been here from the start, go back and check out the previous two parts in order to get up to speed. We're discussing tension in characters and how you can use them to build the tension in your book!

Okay, so this week we're looking at love and romance, and woah boy, there is a whole load of tension you can create there, so let's get started.

 

First - the first thing you want to do is create barriers and obstacles between your two lovers. This can be anything from other people standing in the way to physical obstacles. Are there other lovers in the way? Family standing against them? Are they in opposite locations? Give them a physical task to do that means they might never get there. Think about disaster movies where the two star crossed lovers have to battle their way across a devastated city in order to find each other. You might not have to go that far, but think about what you could do to make things harder for them.

Second - what are their biggest, darkest secrets that can push the other lover away? Have they done something almost unforgivable? Do they know something about the other person that could shatter both their worlds? Are they enemies who just happen to be in love? Give them an almost insurmountable task and it will make the HEA even sweeter when they finally get there.

Third - then you have the big stuff: abuse, neglect, competition, affairs, divorce, custody battles, substance abuse and persecution from others. All of these things give a great natural conflict, and thus, great natural tension. What happens if this hits the lovers (or family) and they are blindsided? What if they have lived with it for years? How would each of these elements impact them on their daily and long term life?


As you can see, there are a whole host of things you can do to up the ante against your lovers and raise the tension in your novel!

So, that's the end of the tension mini series that looks at character. There are lots more things you can do to up your character tension, as well as the tension in other elements in your book, but hopefully this series will get you started!

Good luck and keep writing! 

Monday, October 10, 2016

Character Tension - Part 2 - Family



Welcome back to this mini-series about how to build tension in your novel. Last month, we looked at conflicting characters. This week, we’re going to take it one step further and look at conflicting family members. Check out the top three suggestions I have for really amping up the tension between those who love (or hate!) each other the most:


First - family members are all raised in the same way...or are they? Take a look at how some family members might be favored over others? Who gets away with blue murder, and who doesn't? Why is someone their father's favorite and another not? Who is unfairly treated and who is the princess/prince of the house? Even as adults, characters will harbor resentments (or over the top loyalty) depending on how their parents raised them.

Second - how do partners raise their children? Do they agree on discipline? Disagree? Do they disagree on where they should live, work, let the children go to school? What if one person listens exclusively to their parents and never to their wife/husband? There are many instances in a family unit to rub up against one another. Everything from divorce, custody battles, substance abuse problems, neglect to success, religion, sex and more.

Third - power struggles within families also create a great way to build tension. What happens when one family member wants power over another? Maybe a son trying to prove himself over his father? A mother trying to show how much more beautiful she is than her teenage daughter? A father trying to rule his house with an iron fist?

As you can see, there are many ways the family unit can build tension throughout the landscape of your novel, and you should make sure these elements are fully developed as they'll give your character a new level of depth, too.

Check in next month for my final tension post - love and romance!  

Saturday, September 10, 2016

Character Tension – Part 1 – Conflicting Characters



I decided to write a three part series on how to create tension in your novel. Before we dive in, let me just say that there are hundreds of ways you can add tension into your novel and this mini series just looks at the tiniest little level of tension in regards to character.
 
Often, people think tension in your novel comes only from high action and do or die situations. While this can often be true, that doesn’t mean there aren’t other kinds of tension that are just as important (and effective) as the do or die variety. So let’s take a look at different types of tension and how you can use them in your book. Here are my first three suggestions about creating conflicting characters:


One - The first thing (and perhaps the most obvious) is to create characters that have conflicting personality traits. This doesn’t just mean for your protagonist and antagonists. Your secondary characters can conflict against other secondary characters (or the main characters). How do these characters work together? Against each other? What happens in a disagreement? What could ever make them agree?

Two - Characters with different backgrounds can also conflict – are some poor and others rich? How does this affect them? What about those of other religions, castes, creeds? How about social standing? What about nationality? Education? Neighborhoods raised in?

Three - Then there are characters that are part of conflicting social groups. Are some anti-abortion and the others pro? How about those pro war and those against? Is there a member in a group who is a zealot and another who wants to leave?


Take a look at the characters you create and how they will all interact. Is there something more you can do to make them rub up against each other? Building characters who have opposing views and lifestyles can bring a lot of tension to your story, so make sure you use it to your advantage!!!

Check back next month to see Tension – Part Two – Family!