How to Use Facebook to Research a Setting When You Can't Travel

The best way to research a real setting for your novel is to travel there, experience the place for yourself, and dig in deep with the locals.

But what if you can't travel?

If you're on a tight budget like I am, the plane tickets alone are out of the question. Maybe you have a different reason you can't travel. Whatever your case may be, there are other ways to research a place for your setting. Here's how I'm using Facebook to research San Diego, which happens to be my setting and oh so different from my Michigan home.

Join Groups

I went to the search bar at the top of Facebook, searched "San Diego," and then narrowed my search to look through groups. Here, I looked through a long list of groups and requested to join as many as I could that had anything to do with my book or could give me insight into San Diego life. I joined a few groups about food because food tells us a lot about culture. I joined vague everything-San Diego type of groups, where I can watch the various topics and ask locals questions. I also joined  San Diego artist and photography groups to match character interests. Since some groups will deny you if they see you're not a local, join as many as you can to increase your chance of acceptance. (DISCLAIMER: Always be safe and use your best judgement when joining anything online.)

Follow Local News

Next, I liked/followed a couple local San Diego news pages so I can keep up on everything happening there from weather to crime to events. I read not only the news posts, but also the comments so I can gauge the people's reactions and views. 

I've been using Facebook as a research tool for a week now, and I've already added a few elements to my story I wouldn't have thought to incorporate otherwise. 

Now I'd love to hear from you! How do you research a place without actually visiting? What setting are you researching right now? If you try the Facebook method, let me know how it goes!

Jessie Mullins is wife to her middle/high school sweetheart. Together, they have a son who just so happens to be the sweetest boy in the world. Jessie blogs on YAtopia and her personal mommy blog, Her Arms Are Strong. She writes and adores YA. Visit her Facebook page for more bookish things.

Research is your friend

This month on YAtopia we're looking at new beginnings as the way to kick off the New Year. And I thought I'd discuss starting anew - starting a new writing project o. And my best advice to people is research.

Research in stories is becoming more and more important. The reality is that it always should have been, but there seemed to be a perception that 'hey, we're authors, we can make shit up.'

And don't get me wrong, we can. In fact, I've often said that phrase in jest when talking to friends. If we want to decide there are flying monsters that live in outer space that attack a space shuttle then we can make that shit up.

Research is important for making sure you make the real world elements of your story believable. And it's especially important for ensuring good representation of people, no matter what cultural group they belong to, or how they identify sexually or gender-wise, or any other identifiers such as mental health, etc. But today, I'm not going down that rabbit hole as it's a separate topic on it's own.

What I've found is how great research is for generating story ideas, whether it's for a brand new story, or if you've started a story and you're experiencing some writer's block. Jumping on google and exploring elements of your storyline can give you amazing ideas.

I'll give some examples from a couple of my stories. I've got one with a far-future setting, so I explored some technologies and advancements that could exist in the future, such as data storage on crystals. This became a really important element of my world building. In another series I needed to have elements of mind control, so I researched the topic and discovered some brain-washing techniques that were used on prisoners of war. That technique formed the basis of a major plot element in my story.

And nowadays you don't have to simply pop in a search on google and read webpages on the topic. You'll likely find videos as well where you can listen to tutorials on topics, and vlogs/interviews on people's experiences.

But, of course, you don't have to do all the research virtually. In a recent YAtopia post, Chris talked about the importance of imagery. One of my stories is set in Brisbane and features a sandstone building. I don't get to Brisbane very often, and when I do, I don't always get to go to areas that have those types of buildings. So I got my mum to go and get a bit handsy with the building and report back to me. Luckily I am getting to go to that area of Brisbane next week, and I'm going to try to subtly sniff a building and lay some hands on it.

Research can help expand your story ideas, flesh out your stories, and become a way better writer. It will help you add authenticity to your work. It can help you take the seed of an idea, and grow it into an oak. Never underestimate the power of research.

Reasonable Research

I lead a very adventurous life. No, I’m not an Olympian or a soldier. I’m an actor with a bad case of wanderlust, a willing husband, and a love of writing. I’m incredibly fortunate to have a job that allows me to travel for work all the time. I’ve spent three summers in Alaska, toured the country on a bus, and right now, I’m performing down in Southwest Florida.

Being able to travel has always been a huge source of inspiration for me. My husband and I managed to run away to Thailand for a few weeks in January, and I came back bursting with so many ideas, I now have the rest of my writing year planned out. But what do you do when beautiful scenery meets an epic idea and the details need to be perfect? Research.

For The Tethering series, the research I did was mostly travel times from one place to another, geography and topography of specific locations, including a nice (and slightly brutal) hike to the top of a mountain, and looking through a lot of legends of magical creatures. Perhaps a little extreme with the hiking through the wilderness, but standard research.

For the ballet novella I released last Christmas, I was able to draw upon the years I spent in pointe shoes and leotards as well as my experience as a professional music theatre performer. And the gaps I needed to fill I pulled from a college classmate who is now a professional ballet dancer.

But the new project, the one that complicates it all, is a little more difficult. I needed to learn about plants, and greenhouses, and conservation, and a dozen other things. Not that I want to describe to my readers exactly how to pollinate plants in a closed environment, but it’s little details like that that solidify world building.

I’ve been to atriums, bio domes, and even the greenhouses of Disney’s Epcot, trying to make sure that the smell is right and the light feels right in the book. And I’ve loved all of it. I will never be a botanist or an architect, and I’ll probably never create my own underground irrigation system. But getting to learn the details of creating suitable environments for exotic plants is so cool! And now I really want to build a vertigrower and grow plants without soil just because it’s possible.

Maybe somewhere deep down I already knew that sustainable living within a bio dome was a fascinating subject and that’s why the story came out. Maybe greenhouses are just super cool. But having the opportunity to research a new field or world is one of the greatest things about being an author. Even if it’s just a fantasy, I can create a greenhouse for my characters to live in. And I have a new obsession that may eventually turn edible-hobby to boot!

How to Leverage Your Personality to Bolster Your Writing Productivity

 
I recently attended a religious woman's retreat and during one of our sessions, we discussed our personality types. The Myers-Briggs test from the '50s is a wonderful way to figure out your strengths and weaknesses, what type of career would play out your natural gifts, and may other facets of life. As I explored a topic I've already studied in the past, I realized that the dry spell I've been having in my fictional writing might be due to the fact that I wasn't playing up the needs of my personality.


Re-discovering What Makes Me Feel Accomplished

I haven't changed a bit. That is to say, I've become great at adapting to life's curve balls, but I'm the same person I was ten, fifteen, even twenty years ago. We all are unique, with quirks and needs that affect every part of our world. We have things that make us tick, that make us happy or content or even giddy. Those things can be leverage to make us productive and overflow with inspiration simply by being true to who we are and what works best for us.

Unfortunately, in the last few months, my inspiration well has been drier than a grain of Sahara sand at high noon. Focusing was impossible, words stopped up somewhere between brain and fingers, and I'm fairly certain intelligence chipped off and escaped my body. Lazy, bored, uninspired, and frustrated, I sat in front of a blank screen and stared, mentally begging the words to come.

Turns out, I'd been so wrapped up in life that I'd forgotten a fundamental part of who I am. Specifically, where I got my energy.

One of four parts of a personality according to the test I mentioned above is about how you recharge, how you gather yourself back to being okay. Do you need to be surrounded by people and socializing to feel whole, or do you prefer the quiet solitude to think and imagine?

I am an extrovert. The months I've spent cooped up in our rental, trudging through life in a infuriatingly silence were literally leaving me exhausted and empty. With a simple day retreat with other woman and a 20 point questionnaire, I realized my writing life won't ever be fulfilling if I don't let my need of people, of recharging with many others surrounding me, to be a regular part of it.

Additionally, the final element in my personality made me realize it may be time to take advantage of structure. A schedule, follow through, and completing small goals might help me feel more accomplished. I might even need to be a *gulp* plotter though I've proudly been a pantser for years. Perhaps the plotting will help me focus and complete projects.

I've taken a hold of these bits of myself and developed a plan that I hope will lead my writing in a forward motion. It may require creating my own real-life writing group since I can't find one. It may mean that I need to go to a bookstore or library to write instead of holing up in my office at home. You can do make your own plan once you know your personality type and examined your current habits against it.


Types and Tendencies

If you've never checked out what your personality is, even if you are very self aware, I'd highly recommend it. Insights such as this may help you develop a writing, plotting, or marketing campaign that works better for you than your current one. Keep in mind, some people take on roles or tendencies outside of their true personality, but this is about what is most comfortable or natural to you. Feel free to fill out this "knock-off" personality test (the Myers-Briggs one costs some money) that you can use to get a better sense of your strengths and weaknesses so you can leverage them for your writing.


The four categories used to analyze your personality are:

• Extrovert/Introvert - Do you get your energy recharge from group settings and the energy of others or from quiet time alone in personal or spiritual activities? 
• Regular in person critique groups will appeal to extraverts, while secluded or quiet writing time might appeal to introverts.

• Sensing/ Intuit - How do you take in information? Do you rely strictly on facts of the world around you or do you follow gut instincts?
• This can affect your research style or help you analyze critiques to better your manuscripts.

• Thinker/Feeler - Do you use logic or your feelings to process things?
• Thinkers may be more willing to ask questions of beta readers or feedback, while a feeler may need to take some time to process before replying.

• Judging/ Perceiving - How to you use the information and how important is structure in your life? Do you need a regular, scheduled routine or is spontaneity important to your process?
• The good ol' pantser/plotter come into play here. Do you need more structure than you realized previously? Deadlines are important to Judgers, while perceivers may consider deadlines flexible.

By knowing the way you best handle these elements, you can bend your writing time and process to better accommodate your writing.

Click to Tweet: "E.G. Moore discusses how your personality should affect your writing habits on @YAtopia_blog"

I'd love to know what you discovered! Please share your personality type and any ah-ha moments you may have had when you read about it in the comments below. Pinterest is also a great place to find out more about your type one you discover it. Just enter your four letter combination into the search bar, and have some fun.
 

E. G. Moore is a poet, freelance writer, and storyteller (the first of which her mom still has recorded on a cassette tape.)  She is a long distance member of For Pete’s Sake Writers Group in Washington, active in an email writer’s response group, and a Rocky Mountain Chapter SCBWI member. When she’s not telling “Mommy Made stories” to her two daughters or nagging her husband to edit her latest manuscript, she can be found off-roading in her suped-up ATV, baking some scrumptious bread, or in a long, plot-refreshing bubble bath. She’s represented by Jessica Schmeidler of Golden Wheat Literary. E.G. Moore tweets, posts on Facebook, and blogs at: www.emilygmoorewriter.blogspot.com

Research

I'm sitting here on a wet, blustery day (yes, it gets wet in Cyprus, too!), and I'm working on  a scriptwriting job that entails a lot of research, and it got me to thinking...what influence does research have on fiction?

The most obvious genre people think of when you talk about research and fiction is historical fiction and its sub genres. And of course that is one big Pandora's box right there. However, writers in sci-fi have to do their homework, too, so it's probably the second most thought of genre. And of course, you have research in all the other genres - mysteries, crime, and thrillers need a solid understanding of criminal justice, medical procedures, and gang cartels, drug rings...you name it. Even your contemporary work needs research - settings, character hobbies, cultural biases, etc. And let's not forget romance - that needs the same thing. And before you fantasy writers think you're off the hook, you're still going to need a lot of research too - how to world build, what elements cause social conflict, how politics and religion grow, etc. Yes, every genre has its own inbuilt research requirement.

But what impact does the research have? I hear contemporary writers cry "can't I just not mention what materials houses are made of in that area?", fantasy writers humph "but it's a made up world, I can do what I want", romance readers shout "but people are only interested in the love story", and thriller writers say "does anyone even check those things anyway - who cares if houses were made of oak in that area or not?"

While it is true you can skim, you'll be shortchanging yourself, your book, and your readers. Research is the "devil in the details". It's what gives your book that feeling of authenticity. It transports the reader into a world where the author has full authority. It is what brings a book from a story in the page, to a live world in the reader's mind. In short, it makes a book become a reality.

So, when you think of research and you groan...instead, think of how many doors you are opening to lift your novel from make-believe into reality.

Happy researching!!!