TARYN BASHFORD
At five year's old Taryn declared she
would be an author. She’s been
an English Literature Honours student, an advertising rep, a Media Sales
Manager and a CEO of an internet company, but now she plans to
write inspiring, engaging novels until the day she can no longer
type--or no-one takes her seriously (whichever comes later). She’s also the creator of Jeans Teen Army, a campaign to address
the seemingly universal feeling teens have about themselves -- that they're not
good enough.
Is this your first published book?
Yes
What’s it called?
The
Harper Effect
Which genre?
YA Contemporary
Which age group?
The marketers say 12 – 18, but I like to think
no one’s too old to read this one, so 12 - 120
Is it a series or standalone?
It’s standalone, but there’s a companion novel
about to be submitted.
Are you an agented author?
Yes – I’m with Curtis Brown in Australia, and
Jill Grinberg Literary Management in the USA
Which publisher snapped up your book?
It’s two publishers for me 😊 Pan Macmillan in Australia/NZ and then Sky Pony Press in the USA/Canada
and they’ll also distribute to the UK and all British Commonwealth countries.
How involved have you been in the whole publishing process of your book?
I’ve only been involved in the editing process
– which was very in depth. And then I was able to put in my book cover
preferences and have a say in that too. I was pretty lucky. I have worked on a
lot of publicity for the novel too.
Do you have another job?
Not anymore. I used to run a media recruitment
consultancy, and before that, I was the CEO of an internet company connected to
a TV station in the UK, a bit like NineMSN. I’ve mainly worked in advertising,
but I’ve also been a nanny, a chalet chef, and a freelance writer.
Did you receive many, if any, rejections prior?
Oh yes. Many. But each time I got a rejection,
I took on board the advice/feedback and improved my manuscript. Then after
several months, in a period of 2 weeks, I suddenly had 2 agents and very soon
after that, a publisher. So never give up – that’s a really tired phrase, isn’t
it? Maybe this is more accurate: always give 100%, have faith in your book, and
never lose hope.
What created/what were you doing or watching when the first idea for
this book sneaked up on you?
That’s a long story. I actually wrote the first draft of this novel when
I was 14. It was called Proud Now Ma? and focussed on playing tennis to please
the parents. My brother was a tennis player on the international circuit, and I
was training for the Olympics. I got to wondering about teens who surpass the
norm in an activity, and decided to look into this topic. But the novel then
spent some time in a trunk when I emigrated to England, and then again 20 years
later to Australia. I was writing, but I was writing adult novels – and not
finishing them. I had a stressful career in the world of media, and getting
published got lost in all that. But at least I kept writing. I finally began
writing full time five years ago, and the first re-draft of the novel was
actually an MG. It was re-named BELIEVE. It was pretty awful. I had the voice
all wrong. An agent said she didn’t like anything about it. The problem was I
hadn’t done my research into this market – I’d been reading adult novels. The
poor manuscript got top-drawered while I researched the market. It was Susanne
Gervay’s, That’s Why I Wrote this Song that got me hooked on YA. After reading
her book, I knew that had I read her book when I was 15, it would’ve helped
with some dad issues I was facing as a teen. I knew then that I wanted to write
books for teens, to be that helping hand, or that metaphorical hug, they might
be in search of inside a book. I wrote three other YA novels (unpublished) before
I got back to what is now The Harper
Effect, and by then I’d read over 200 YA novels. It really helped!
How long did you plot/plan until you started writing it?
If I think back to the re-write from MG to YA,
not long at all. I fixed on a scene with Colt in my head and just sat down and
wrote.
Once you started, did the story flow naturally or did you have to step
in and wrestle it into submission?
I wrote the first draft in about 2 weeks. I
tend to writer feverishly when in the early stages, about 18 hours a day. I
believe they call it the vomit draft! I am happy – and lucky – to say that I’ve
never had writer’s block. I think that’s because I write the first draft so
quickly. I find that I’m so absorbed in it that the characters take over the
story and I’m just writing down what they want me to say. In fact, I need to
learn to type faster!
How many drafts did you write before you let someone read it? Who was that someone?
At least 6. That someone(s) was my writer’s
critique group called SWiG (it’s a long story but we swigged on tea more than
anything else). I find that I write the first draft quite accurately in terms
of structure – surely down to all that reading. Then with each draft I focus on
one thing so there are always lots of drafts. i.e. the pace/plot, the
characters, the layering of themes, the subplot, dialogue and so on.
Did you employ an editor/proofreader or did you have a critique
partner/beta readers before you started querying?
I never did employ an editor/proofreader. I
find I’m a pretty good editor, but I did have my critique group as well as
online CPs – for this book about 12 in total – to highlight convoluted
sentences or issues with pace/character.
Roughly how many drafts did it take before you sent the manuscript off
into the real world?
Probably 8.
How many drafts until it was published?
The publisher took me through a big structural
edit, then two more nitty gritty edits. I thought we’d take out wordcount, but
we actually added about 8k words – to deepen a plot point.
Has the book changed dramatically since the first draft?
Since the first draft when I was 14? Yes,
absolutely. It went from an MG to a YA and the sisters were twins back then.
But from the time I began writing it again five years ago? Not so much. It’s
pretty much the same story, but certain areas have been improved – for instance
the Purple Woods weren’t in that first draft. It was more about adding depth.
Are there any parts you’d like to change even now?
Don’t get me started…I think every writer will
say that each time they read a draft they can see something they’d change.
What part of writing do you find the easiest?
The first draft. I love that stage. It’s like
being in a whirlwind, but a good one. It’s exciting and I’m meeting new
characters and wondering what’s going to happen. Yes, I’m a pantser.
What part do you find hardest?
The waiting. Even after you have a book
contract, there’s a lot of waiting on edits, waiting on publication dates, and
book covers and so on. I love all the edit stages as each time I re-draft I can
feel the story tightening and clarifying and at the proofreading stage it then
feels like a ‘real’ book..
Do you push through writing barriers or walk away?
Once I have that first draft down, which
always happens before I can get stuck, the pressure is off so there are no
barriers or blocks. However, if I’m then contemplating a way to improve or
change something and can’t reach the answer, I go to bed thinking about the
issue. Without fail, I’ll wake in the early hours and in that half asleep/half
awake few minutes, the solution comes to me. I get up and write. 4 am is my
favourite writing time, when the world is still and calm and it feels like it’s
just me and my keyboard on the planet.
How many projects do you have on the go at the same time?
One. Always one. I get so involved and my mind
is so taken up with the novel I’m writing, that I always stay with one project
until it’s finished. The plots will expand and layer up, the characters will
deepen, as I go about my day – cooking dinner, showering, going for a bike
ride, swimming…it’s in those moments that some great creative moments can hit
me.
I’ve had to adapt now though, because while
I’m receiving edits for The Harper Effect, they interrupt the project I’m
working on – the next book. That’s been a new struggle because I dislike being
pulled out of a story mid-draft.
I think you’re born with the qualities
you need to write – a love of writing, reading and words and the ability to
see stories in everything – and that you’re born with the qualities you need to get published – determination, tenacity, a
thick-skin, self-belief, a strong work ethic, and intrinsic motivation. But the
actual writing can be learned. I can prove that: when I look at draft one five
years ago, compared to three years later (after writing 3 more novels,
attending workshops, working with mentors and critique partners, reading the
books in my market), the book I re-wrote was so much better.
Some say you can teach people to love reading, but it’s not been my
experience. With both my children, from the day they were born, I read to them,
and then we read together as they grew older, and then we shared my king-sized
bed while we all read our own books before bedtime. Today my daughter treats
reading like slow torture, while her younger brother loves to read. Go figure.
How many future novels do you have planned?
Two more planned that are linked to The Harper Effect, but they’re not a series.
They’re companion novels. And each time I get an idea for a new novel I grab a
hardback A4 lined workbook (a hangover from my teens), and write down the
idea/scene that comes to me. I may add a few more thoughts and character
descriptions as time goes by. I currently have 36 of these books. I think I
should’ve started writing earlier in my life!
Do you write other things, such as short stories, articles, blogs, etc?
What’s the highlight of being published so far?
Give me one writing tip that worked for you.
And one that doesn't.
What question have you always wanted to be asked but never have? What
would the answer be?
Answer:
Yes. Seeing my novel adapted into a film is my next dream. To see my story and
my characters come to life on the big screen, and to be involved in that
process, is something that really excites me. If I weren’t a writer, I’d want to
be a movie star – but I’m a terrible actress (I mean really awful), so I’ll
have to stick to being behind the scenes.
Fantastic! Thank you, Taryn, for joining us today and for your insightful answers. It's so good to share other authors' journeys. We wish you heaps of luck with The Harper Effect and her companion novels.
If you would like to follow Taryn on her journey or purchase your copy of The Harper Effect, these links should help!
Website
Booktopia
Goodreads
Instagram
Twitter
Facebook
If you would like to follow Taryn on her journey or purchase your copy of The Harper Effect, these links should help!
Website
Booktopia
Goodreads
And that's it! Happy New Year, YAtopians! I can't wait to bring you more author interviews in 2018!
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