Book versus Movie?

I had a fantastic half-post written up about info-dumps and exposition, but between work, more work, Kingdom Hearts and writing, I forgot to get it finished in time. Expect it from me when my turn rolls around again!

Seems to me like more and more YA books are being made into movies as of late. Or maybe I've just become more aware of it? We have the Twilight movies, Harry Potter, Beastly, Hunger Games, If I Stay... Now I'm hearing talks of Firelight and The Forest of Hands and Teeth (OHGODIHOPESO) being movie-ized as well.

I personally love seeing the transition from paper to film. Except... here's where I'm weird: I enjoy seeing the movie first. I like seeing the visuals. I like getting to know the characters a little and falling in love with the story, and loving it enough that I run out to buy the book(s).

When I read the book first, I don't get as much enjoyment from the film. Too much picking at it, pointing out, "They missed this detail. That isn't how it happened!" Because, let's face it, no decent-lengthed YA book can be properly contained in two hours of movie time. Not to mention all the internatilizing and inner monologues/thoughts happening on-page just don't always translate well on screen.

(Often when reading, though, I picture everything in my head like a movie. I get a sense for what scenes would translate well and what wouldn't. It's something I do a lot when writing, too; if the scene doesn't move well in my head as moving pictures, then the words don't flow well.)

Of course, a good movie (or TV series, for that matter) can make all the changes it wants, run with the plot in a different direction, and still have a masterpiece. (I'm looking at you, Vampire Diaries.) Just as a book can take an age-old plot line and make it something beautiful with the right characters and unique details, a movie can do the same, I think.

What do you guys think? Totally hate or love movie versions of books? Any favorite book-to-movie adaptations (YA or otherwise)?

Interview with HarperCollins Author, Leigh Fallon

I am so honored and excited to write this post! Yesterday it was announced that our very own contributor, Leigh Fallon, has been picked up by HarperCollins/HarperTeen for publication of her paranormal YA novel, Carrier of the Mark! For those of you who aren’t familiar with Authonomy and Inkpop, they are sites created by HarperCollins. Writers can post their projects, receive feedback from one another, and vote on their favorites. They’ve been referred to as “Cyber Slushpiles” and the “Online American Idol for Writers”. Each month the top five selections are sent to an HC editor for review. Writers vie for these positions as a way to have their work read by an editor, bypassing the literary agent stage. Leigh’s book is Inkpop’s very first acquisition. A dream-come-true by any standard.

One year ago this month Leigh’s book was sitting pretty in the top five on Inkpop. One month later she had her review, and then she was secretly contacted by HarperCollins in March 2010! Each of us starry-eyed Inkpoppers has dreamt of that moment.

So much was going on behind the scenes this past year as Leigh prepared for publication. As crazy-busy as she was yesterday, she was happy to answer an interview question for us YAtopians…

Leigh, tell us what it was like to work with a "real" editor.

What was the editing process like?

"Working with a quality editor at the top of her game is an overwhelming and awesome experience. My editor at HarperTeen is Erica Sussman, the editor for Aprilynne Pike, author of Wings and Spells, and Kiersten White, author of Paranomalcy. I’m in some serious company, and that can be daunting.

My first round of edits were full on three hundred pages of red pen. I had to condense 100K into an 80k word manuscript, all the while expanding the story, and delving into more detail in some areas.

At first it was petrifying. I didn’t know where to start. I edited three chapters, and riddled with self-doubt, sent on those three chapters to my agent to get her opinion on whether I was ‘doing it right’. She added her thoughts and opinions and I got stuck back in.

It got easier. The more I got into the editing process the more natural it felt. I really found myself immersed in the story and seeing it through my editor’s eyes. I could see her vision of the finished product, and as soon as I let myself 100% trust in her advice it became an enjoyable experience. I watched as my writing got better, more precise, tighter, and that was a most enjoyable and educational experience.

Once I’d submitted the next draft I was feeling a little bit more confident, Erica did a second round of edits, finely honing the story and viciously deleting scenes that, while being great scenes, were unnecessary to the story. It’s hard to see moments of your book that you loved being wiped out of existence, but once it’s done, it’s gone. And once again, I sat back and marveled at the amazing talents of an exceptional editor.

Round three of edits is copy edits, it’s the nit picking stage, where danglers, misuse of words, timing issues or inconsistencies are pointed out to you by copyeditors you don’t know, and for me it was the hardest part of the editing process. It’s like they’re questioning you as a writer and questioning your knowledge of your own story. But again, as soon as I’d gone through this process I realized the reason we don’t get to meet the copy editors is because it’s their job not to know you. They’re completely impartial and seek out every hole and potential problem in your manuscript. If they can’t find it, then a reader won’t be able to, and ultimately that’s what you need. A manuscript that flows beautifully is smooth, tight, riveting, and satisfying.

Writing a brilliant book is two-thirds being a good writer and one-third having an excellent editor. I have one-third down in Erica, I just hope my two-third offering is up to par. LOL. Hopefully, with all the work put in by all parties we’ve achieved something special in The Carrier of the Mark."

There is no doubt in our minds here at YAtopia that together Leigh and Erica have achieved something special. We cannot wait to get our hot little hands on one of those arcs. Cheers to Leigh Fallon on her dream come true!

The Carrier of the Mark

Yes, you've probably heard it already, The Carrier of the Mark is being published by HarperTeen.  This is a super exciting time for me.  I've been keeping this under my hat for nine months and now I'm finally allowed shout it from the roof tops. Woohoo!

Here is is guys, I give you my baby.

I love this cover so much it's hard to express it in words.  But the cover really tells the story, and I can't wait to share that story with you.  It will be on the shelves in fall 2011! Eeek.

I'll be doing a more in depth chat with Wendy tomorrow, giving you the lowdown on my story, so be sure to tune in tomorrow.

And here are a few links for you to have a gander at in the mean time.

http://www.nytimes.com/2011/01/28/books/28arts-WEBBOOKMOVES_BRF.html?src=twr 

http://du103w.dub103.mail.live.com/default.aspx?wa=wsignin1.0

http://www.publishersmarketplace.com/lunch/

http://inkpop.wordpress.com/2011/01/28/harpercollins-publishing-inkpop-book-letter-from-the-author-2/

http://inkpop.wordpress.com/2011/01/28/harpercollins-to-publish-book-found-on-inkpop/

http://iwriteya.blogspot.com/2011/01/awesome-news.html

http://empressawesome.blogspot.com/

http://www.storiesandsweeties.com/2011/01/harperteen-publishes-book-from-inkpop.html

http://www.earthtimes.org/articles/press/teen-writing-site-inkpop,1632963.html

http://www.dailymotion.com/video/xgsfdx_leigh-fallon-author-of-carrier-of-the-mark_shortfilms

Special Announcement!

We've just found out this morning that our very own Leigh Fallon has been picked up by HarperCollins for publication of her YA novel, Carrier of the Mark! Stay tuned tomorrow for an interview where she'll let us in on the details of her journey! Congratulations, Leigh!

Today's New York Times: http://www.nytimes.com/2011/01/28/books/28arts-WEBBOOKMOVES_BRF.html?_r=1&ref=todayspaper

Inkpop's Link: http://www.inkpop.com/projects/5971/the-carrier-of-the-mark/

I'm losing the plot

I'm not afraid to say that I am not a natural plotter. If you were to put myself and J.K.Rowling on a scale for plotting, we would be on polar opposite ends. Rowling is renowned for her meticulous planning, and there is no doubt that the results are outstanding.

But me - I'm an ENFP. That's a Meyers Briggs personality type that basically means I love being around people, I don't need to see or touch it to believe it and understand it, I make decision with my heart over my head and I fly by the seat of my pants - that's what the 'P' stands for. I would guess Rowling is a strong 'J', organised and a great planner.

Not that I don't plan, well sort of. I conceptualise. Usually the freaky, twisted ending comes to me first. Then I work backwards and develop characters. I actually wrote six pages of notes at the beach the other day for my WIP. That's my planning process.

I've tried plotting. But I get distracted. I prefer to research and daydream, then write a flurry of notes and novel excerpts. It means that sometimes I have a jigsaw puzzle to piece together and that plenty of times I have to go back to an early section of the novel and rewrite to add in foreshadowing for an idea that's just popped into my head. But a full-on plotted chapter by chapter plan = Sharon and writing fail. Just look at the story I attempted to plot in 2006. It's still sitting at about 4,000 words.

Often the ideas come to me while riding, daydreaming at the beach, working out at the gym (I should be going there more often), singing very loudly - and not very well - in my car with the music blaring or while researching. Then I madly scribble it down at the first available opportunity. Boy do I get some funny looks in the showers at the gym.

I let the stories and characters guide me. They take on a life of their own when I write and the story unfolds as I go. I have a basic idea, a skeleton outline and then the rest just seems to write itself.
But this is what works for me. But it may not work for you.

Everyone marches to the beat of their own drum and there is no right or wrong way to let inspiration take hold of you, flow through you and become a story.

Everyone has different ways of getting it done. So how do you do it?Are you a plotter or do you go with the flow?

My Closet

In my virtual closet this week:

Awesome agent: Kathleen Ortiz http://www.kathleenortiz.com/ - Looking for YA romance from a male POV or a steampunk with fantastic world building.

TopTweeter : @Crzywritergrl - Literary intern with great tweets on queries.
Writers Digest Conference wrap up - http://blog.writersdigest.com/norules/2011/01/25/MASTERRecapOf2011WritersDigestConference.aspx
True Blood satire: http://www.youtube.com/watch?v=MEqk3MwnX_4&feature=youtu.be

Excuse me...do you have any spare time?

If so, I'd really like to borrow it.

Do you ever feel like things are moving so fast and furious that you somehow misplaced a few of the hours in your day? It's been like that for me the past few days. There is a lot going on in the Kelley household that's making me wonder how I'm ever going to get anything done!

And when I do...I'm not only too exhausted to enjoy it, but I'm left scratching my head and wondering how I pulled it off.

I'm a stay at home mom. I have two little girls, a husband, kids' school, homework, house, extended family and now a little family emergency going on. Honestly, it's leaving me feeling pretty frazzled, both emotionally and physically. I have so many things I need to do, that I'm definitely not finding time for what I want to do. But even more, I'm not sure I can do all the need-to-dos either.

Like my post for example. Totally flying by the seat of my pants here. LOL. I forgot it's my blog day until I was about to climb into bed for the night. SO, here I am, winging it and sharing all my time management problems with you.

Sorry...I hope you don't feel cheated. LOL.

The thing is, I have some serious writing I need to get done. It's one of those need to do things, but also, I'm loving the story and I want to do it too! Lucky, right? Only that missing time is getting in the way.

SO, I'm asking YOUR advice. I know we're all busy out there. School, work, family, blogs, writing...the list goes so. I'm curious how you find the time to squeeze it all in? Any tricks I don't know about?

La, La, La...

Hi, I'm DJ and I'll be posting every other Saturday along with the wonderful Wendy. Most of you know me already, but for those who don't, I run the YA book blog, DJ's Life in Fiction and have currently signed a deal with Pendrell Publishing. My debut novel, Hunted, will be released early fall of this year.

Now that we've been acquainted with one another, let's talk about writing, shall we? After all, that's what we're all here for, right? :-D

A lot of writers listen to music while writing. If you know me, you know that I play the piano, sing, and write my own songs, many of which were inspired by books. Music plays a vital part in my life. I honestly don't know what I would do if I couldn't tickle the keys or dance to Florence and the Machine. But when it comes to my writing, music takes the backseat. I can't focus when listening to music and writing. Instead of focusing on my story, I become too obsessed with finding The Perfect Song and end up changing songs every ten seconds.

It isn't until after the story has been written and I'm revising that I turn on some tunes. Even then, though, the songs I listen to don't represent a certain character. I'm afraid I'll never be like Maggie Stiefvater or Stephenie Meyer whose playlists are made of epicness that contain songs that serve as a character's theme song. But I do listen to songs that capture the overall mood or feeling I'm trying to convey with a certain scene or even line. (Or I'll just listen to whatever song is stuck in my head, which is usually something by Lady Gaga or Paramore) Still, I have to keep the volume low to help keep my mind in check and focused on the writing, not the listening.

So, fellow writers, do you listen to music while writing? If so, how exactly does it affect your process? And readers, do you listen to music while reading?

Interview with agent Victoria Marini

Happy Thursday everyone! For my post today, I have managed to score an exclusive interview with the fabulous agent, Victoria Marini. Enjoy!

1) Hi Victoria! Firstly, for all those who might not know, can you give us a brief explanation as to who you are and your background in the publishing industry?

Sure thing. I’m originally from Pennsylvania. I went to university in New York and got a B.A in English. I worked at a dog kennel for a while. My first job in publishing was for a film & television rights assistant, but Hollywood wasn’t for me. Then, I was an assistant at Sterling Lord Literistic for a brief period before I came to Gelfman Schneider as an agency assistant in 2009. Later, I was promoted to an associate agent and I’ve been slowly building a client list. Now, I’m at the point where I am aggressively building my list.



2) What is something we don't know about you that has nothing to do with agenting?

I eat TERRIBLY when left to my own devices; donuts, cupcakes, pizza, mac n’ cheese, chocolate etc… If its primary ingredient is sugar or sodium, I want it.



3) What was the last published book you read and loved?

I’m going to sound like a broken record here, but THE HUNGER GAMES. I don’t mean the trilogy. I was not nearly as fond of CATCHING FIRE or MOCKINGJAY, but I so thoroughly loved THE HUNGER GAMES.



4) I know you get this question often, but what would you really love to find in your slush pile? What are you kind of sick of?

I’d love to find a male POV sci-fi YA. I’d love to find High School Noir. I love gothic tales and re-imagined classics. I’d like a YA ghost story, or something spooky and magical in the vain of Neil Gaiman (who wouldn’t though, right?!). I want fantasy, whimsy, magic. I’d love to find a fast-paced, contemporary YA like the Bourne identity, but written so beautifully I can’t stand it. I want to find something that makes me cry, laugh out loud or pace around my apartment with anxiety. I want a gritty urban fantasy with tension. I want a paranormal game of cat and mouse. I also take on memoirs, but I am super picky and the hook needs to be astounding.



I’m tired of underdeveloped worlds and people; of reading something with a great idea and plot, but finding I’m not engaging with the characters or living in their world. I’m tired of an over developed sense of the sentimental. I’m also really over memoirs that try to impress me with gimmicks and superficial humor. I don’t want to think you were the bad girl or the cool kid in High School, I want to know you.



5) Every agent-client relationship is different. What kind of relationship do you like to have with your clients?

I’m very editorial and very open door. I always want to communicate and brainstorm. I try to encourage my clients to have a web presence and keep educating themselves about this business, and I try to engage in the same activities on their behalf. I think it’s my job to keep abreast of the changes happening in digital publishing, social networking, transmedia marketing etc… I try to explain as much as I can about what I am doing and why. I am also very happy to listen and work with my clients if they’d prefer to do something differently. I’m very hands-on.



6) Say you started reading an amazing manuscript that you were falling in love with. What would be the thing that would put you off enough for you to then say, sorry but no thanks?

This has happened to me before, and the few times it’s happened, it’s because the book doesn’t feel complete. I’ll notice plot holes, rushed pacing, forced endings, or the focus slowly shifts and the world-building falls apart or the characters stop growing.



7) From what you've experienced, what is the most common thing queriers are doing wrong?

I’ve been very lucky in that the queries I get are usually very well-written. I think the biggest mistakes are failure to do homework (pitching me a political thriller, for example) and talking more about why [you] wrote the book, why [you] love to write, how friends, uncles, relatives, etc… loved it than about the book itself.



8) When you sign a client, do you run through your own edits before taking the MS out for sub?

Almost always.



9) If you had to give up agenting, what other career would you go into?

Oh goodness, I hope this never applies. Hmmm, I think I’d move west and start a cupcake food truck or maybe work with animals.



10) What is your view on submissions from overseas? Do you find that because the culture is different it may be harder to sell in the US?

Not necessarily, I think it all depends on the subject matter.



11) Describe your perfect literary love interest ;)

If you want an example of ones that already exist, I had a major thing for Sydney Carton in A TALE OF TWO CITIES (don’t ask me why) and for ROBIN HOOD, but I think was more for the Disney cartoon version with the fox (literal fox). If you want a wish-list… I’m not sure. For me, it’s more about what sort of love interest the protagonists wants/needs to make the story feel authentic and compelling. I think tension is a must. I always like things to be a little difficult. I’ve always felt that miscommunication and/ or misinterpretation is fantastically agonizing when it comes to relationships.


Quickfire questions

(Try to answer with the first thing that pops into your mind)



Superpowered heroines or soft damsels in distress?

Superpowered heroines.

Red or Green?

Green

Dark and gritty or light and sweet? Literary that is.

Hehehe. Dark and Gritty

iPhone or Blackberry?

iPhone

Ice cream or cupcakes?

CUPCAKES!!!!

Thanks once again for the interview!! If you would like to know how to query the lovely
Victoria, you can find her submission guidelines over at the Gelfman and Schneider webpage. She also blogs.

Tuesday Twaddle - Pause for thought.

Firstly, a quick meet and greet. I'm Leigh and I'll be bringing you The Tuesday Twaddle every second and forth Tuesday of the month. Yay!  You’ll have read all the wonderful entries into the blog by my amazing and talented writer friends.  They’ve given you knowledge, insight, and shared their enlightening experiences.  Me on the other hand, well I’m just not that kind of blogger.  I suck at being serious, so I keep to the funny/acerbic side of life.  I’ll bring you tales of woe and joy as they happen to me on my path to being the best Young Adult writer to hit the shelves since they invented shelves (excluding of course all the other wonderfully talented writers who form YAtopia… and any other writer who graces these pages with their presence, you guys rock too!).

My title ‘Pause for thought’ was inspired by my current state of ‘pause’.  As I see it, writing involves lots of pauses.  Pauses haunt writers, whether it is pauses on inspiration, the dreaded long pause of writer’s block, pauses for making the kids dinner, or seeing to a neglected spouse. Pauses for contemplation, or divine interventions.  Currently, I’m on an epic pause.  And for every moment I’m on that ‘epic pause’ I’m stressing about reaching that play button.  I hate pause.  It kills inspiration, momentum, thought process, and creativity.  At this moment, I’d sell my soul for a cloven hoof to find that remote and release me from this rather uncomfortable position, but as yet I’m still holding steady, mid run, with the distorted face and semi midflight look about me. 

Here are some of my ‘Pause’ factors.

P – Procrastination – I know when I get that email I’ve been so desperately waiting for, I will automatically be able to write what I want, when I want, so there’s no point in trying now. Next week will be a much more creative week for me, I just know it.

A – Anything but syndrome - Let’s make a coffee and then I’ll rearrange the desk, Oh and check my emails.  Um, maybe I should ring my mom.  Eww, what’s that pong? Oh the cat litter tray needs seeing to…  You get my drift.

U –Unadulterated – Whereby you’re waiting for the perfect moment to write.  The house is too quiet, I just don’t feel inspired. So, we’re off the library to absorb some much needed knowledge that seeps from the walls, but it’s too cold and quite frankly a little on the whiffy side.  Oh and I need a new laptop, the keys on this one just don’t feel right.  My excuses on my quest for the ‘perfect’ writing set up are endless.

S – Social Media – I can totally justify my spending hours on end on Twitter, Facebook, Goodreads, MySpace, and all those other platforms.  They are the lifeblood for the want-to-be writer.  But man do they suck you dry of drive and imagination. And, nicely fulfills my P, A, and U requirements.

E – Editing – There’s nothing like a couple of rounds of savage editing and rewrites to make you go into a stall pattern.  The inspiration numbing sensation of self doubt mingles uneasily with panic and turns your brain to a big curdled lumpy mess of cottage cheese.

Now I’ve identified my pause issues, I’m sure I’ll be able to pull myself together and finish that sequel that’s been leering at me for the past two months.  And I will, as soon as I get that new Elbow album I’ve been waiting for, arrange for the delivery of my new laptop, answer all my emails, identify the location of the repugnant smell in my study, update my Facebook profile, and do all my #ff’s (followfriday for the uninitiated) on Twitter.  Wow, I’m feeling better about it already. Let's get going!

Right, firstly I’ll make pot of coffee and then I'll get right on that... I swear. 

I'd love to know what makes your evil subconscious press the pause button on you, and what you do to reanimate yourself.  Please, do share your secrets! Good Lord I need them.

What beginnings accomplish

It's probably safe to say the most revised part of most manuscripts is the beginning. The first page, first ten pages, first twenty...

Of course, a beginning isn't any more or less important than the middle or ending of your book, but it is where someone will determine whether they even want to get to the middle or end. Your opening gives us our first look into your main character, helps set the tone of the book.

All openings should accomplish two things:

1. Introduce your main character in an appealing way. This person needs to catch our attention. We need to sympathize with them on some level, need to connect to them, or - at the least - we need to think they're weird enough that we want to learn more. Readers are investing their precious time to read your book. Make it worth their while.

2. Set the scene for what's to come. You aren't going to find a science textbook opening up with a chapter on history, right? The same goes for fiction. If your book is a slow, fluid and mellow romance, don't start it with a car chase flying through L.A. Your opening scenes need to give readers an expectation of what they're getting into. Huge, melodramatic openings can be hard to follow.


Both of these lead to one main point you want your opening to accomplish: Maintain the reader's interest.

Your writing needs to be smooth, polished, fluid. Whatever scene you give us needs to not only catch our interest, but hold it. This does not need to be done by giving us that aforementioned car chase. Character interaction, tension, suspense, emotion, peril* - these are all things that will catch a reader's attention.

(*when I say 'peril,' I mean actual peril. Don't have your character hanging off a cliff, barely holding on, and reveal a few pages later that it was a dream.)

In my experience with my own writing, I redo openings so many times because I am still getting a feel for my characters. All that crummy info-dump and drivel in my first few pages I end up trimming and revising? Is because these characters are often new to me and I'm figuring them out by writing. I've noticed my books need less revision toward the end. I would say 70% of all my trimming/cutting happens within the first half.

Start your story where it starts.

Don't bog us down with background information. Your character should be moving, doing something. We don't need to see an ordinary day in your character's life. Don't start with Sally staring in the mirror and admiring her raven-colored hair, putting on her makeup, thinking to herself how she wants Johnny to ask her to the school dance while she eats breakfast. Instead, have her running into Johnny in the hall, have him asking her to that dance. Start with a bang. Start right at the edge of where things change.

The Writer's Digest book on Plot words it perfectly:

Don't tell how the protagonist decided to go out and buy fireworks, how much they cost, how he brought them home, how he stored them, what his wife said. Begin when the fuse is lit and the reader sees a bang coming any minute.

Homework exercise!
Take your opening pages (one, two, the first chapter, however many) and place every single sentence on its own line to separate it from everything else. Now, go through each of these lines, one at a time and ask yourself these questions:

1. Does this show something about the main character that the reader should know right away, or does it advance the story?

2. Is this background information? If so, is it needed right this second or can it be woven in later when the reader is emotionally invested enough to care?

3. Will the reader find this information interesting and engaging?

4. Am I setting a tone for what's to come?



Don't expect that your opening (or any part of your manuscript) will be perfect the first go around. Write it. Get it all out. Then go back and look at what needs to be fixed.

Let me know if you try this and what you find out about your own openings!

---

EDIT: Early morning edit! Sharon has up a chance to get a guest-spot on the blog by helping out flood victims in Australia. See her post and others here.