Voice
is an important for YA fiction and fiction in general. It brings writing to
life by making it feel like a person is actually telling a story. I’ve recently
discovered my writing voice. It’s a quirky conversational voice. But I’m glad
I’ve found my writing voice because interiority (thoughts/feelings of the
character) makes the character feel fleshed out. A piece of writing can have
great imagery, setting, and dialogue. Yet only using those three things
emulates a journalistic feel. Voice therefore provides a balance between
imagery, dialogue, setting, and exposition.
One
way to achieve voice is to use both long and short sentences. A sentence can be
one word or a couple of lines. Having varying sentence length creates voice by
making a rhythm.
Including
repetition can sometimes help. A character might use certain words or phrases a
lot. For example, a character can think, “yeah” a lot. Yeah might be a
simplistic. However, it goes back to style in the last paragraph because it can
be used as a one word sentence.
Emotion
is another way to create voice. But not only in terms of basic interiority.
Sure. People feel different emotions at different times. Although people
usually feel one emotion a lot. Sarcasm is the easiest emotion tool for voice.
That means exaggerating something like if a character hates his job, he could
say, “I just love my boss. I just so look forward to how my boss is always on
my case. As if I don’t have enough to worry about already.” That’s just one
example, but the point remains clear. The exaggeration adds a layer of meaning.
The character isn’t saying the true meaning. It’s dressed up in the sarcasm,
and breaks up the simplicity of writing, “I hate my boss because of him being
strict since I already worry too much as it is.”
Clarity
is the last element of voice. That means voice will have to be more polished
than people talk. And that’s okay. For instance, too many uses of “I mean,”
“though,” “plus,” etc. might make writing feel clunky. That isn’t to say those
words can’t sometimes be used. They can. They reinforce a casual conversational
tone. But they should be used in conjunction with conveying something precisely
like, “Arguing was pointless because she would never shut up.” That example
isn’t the most profound statement. Yet it’s clear and concise.
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